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Monthly Archives: December 2012

Postcard 54: Lāvān

31 Monday Dec 2012

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Nirvair's blog

This is the final postcard from a year-long journey. One year ago, on January 1, 2012, I resolved to sing my way through the 400+ shabds in Gurbani Sangeet, a collection of songs remembered by Bhai Avtar Singh and Bhai Gurcharan Singh. This remarkable collection is a gift to humanity, the first time the oral tradition has been written and published, a tradition which has been passed from generation to generation in the family for more than 400 years. Inside these volumes are the family jewels, treasured compositions that came from the Sikh gurus themselves and masterful musicians through the centuries. Connecting with the songs is connecting with greatness.

I started this adventure invoking the metaphor of a cookbook with 400+ recipes. Like family recipes passed through the generations, these are timeless formulas of sound that still produce delicious results. Gourmets will be impressed with the artistry, complexity, and subtlety. The rest of us will know we have been treated to a memorable feast.

Bhai Avtar Singh and Bhai Gurcharan Singh brilliantly placed lāvān as the last shabd in Gurubani Sangeet. Lāvān is the traditional wedding song for the Sikhs. After the banquet of more than 400 dishes, it is like serving up an inspired and memorable wedding cake. In the first three rounds, the meditative melody and meends in raga suhi kafi create a perfect setting for contemplation, renouncing the ego and preparing the heart. The notes remain in the lower half of the middle octave, never passing madham, and reach down into the mandir saptak, the lower octave. In the fourth and final round the notes attain the pancham and stretch into the upper half of the octave as the atttainment of union is celebrated.

Although the wedding song works nicely to formalize the vows between earthly husband and wife, it is actually a song about the mystical union of soul and God. It’s lovely to imagine an actual wedding in an alternate spirit world where soul, beautifully dressed, meets the perfect spouse for an eternity of wedded bliss. In actuality, what is this union?  If the One is pervading everything, when is there separation? Is there a time when union happens or is there only a time when union is recognized? Is the time of realization the culmination of the spiritual journey or the beginning?

The wedding of an earthly couple, while a culmination of planning and preparing, dreaming and waiting, is only the beginning of a lifetime together. The marriage however isn’t a guarantee of hearts filled with love and a life of enjoyment. There is a continual investment, a continual remembrance, a tuning of the hearts. Does the mystical union require a similar commitment?

In lāvān the first round is a remembrance of Nām simran. Realization of oneness comes in the second round, and the soul sings. This realization fills the heart with love in the third round, and the soul sings praises and speaks bāni. In the fourth round, the mind rests in contentment, the sweet Nām resounds, and the heart blooms. Throughout the wedding and marriage there is singing, joyful music, bāni, love, sweetness and resonance of Nām. This is the path of the Sikh gurus, and in Gurbani Sangeet we have a roadmap, the recipes for a wedding feast just waiting to be tasted.

Postcard 53: Pauriā

28 Friday Dec 2012

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Nirvair's blog

Prayers of pure praise.
Creator, Hukami, Doer of everything.
Amazing creation, sustainer, enjoyer.
Seer, giver, shelter, forgiver.
Throughout the universe, within all of it,
Obviously visible, secretly subtle.
Tuhi, Love, Amrit Nām
Dhan Dhano, Wāh Wāho
Har Hare
Waheguru.

The placement of the bāni in these volumes is not random. After all of the shabds that describe the various aspects of the seeker’s journey, the vārs remind us that in the end, all of the songs and the journey they describe are really about the all-pervading ONE. The vārs don’t express the experience, the emotion, the challenges, the practitioner’s practice, the grace, or the distraction. The vārs simply praise the Source, poems of pure praise.

The final pauri given in rāga kānrā is a summation:

You Yourself siddha and sadhu, You Yourself yoga and yogi.
You Yourself taste and taster, You Yourself enjoyment and enjoyer.
You Yourself all-pervading, You Yourself do whatever will happen.
Sat Sangat, Satiguru Dhan Dhano, Dhan Dhan Dhano!
Those who meet, speak Har’s speech.
Everyone say with your mouth, Har Har Hare, Har Har Hare!
Speaking Har, all sins will be removed.

And artfully, in Gurbāni Sangeet, the final pauri comes to rest on the sum, at kharaj, the greh svar, the place of dwelling, reciting Waheguru.

Bhai Balbir Singh Ragi will receive the coveted Akademi award

27 Thursday Dec 2012

Posted by bhaibaldeep in People

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The Ice-cream Wale Babaji to my boys, Luigi Hari Tehel & Leonardo Amar Dhyan Singh..!Photo 1998 by Bhai Baldeep Singh at his Nizamuddin residence.

Bhai Balbir Singh, the Icecream-wale Babaji to my boys, Luigi Hari Tehel & Leonardo Amar Dhyan Singh..!
Photo 1998 by Bhai Baldeep Singh at his Nizamuddin residence.

Bhai Balbir Singh Ragi has been chosen for the coveted National Sangeet Natak Akademi award for his contribution to Gurbani Kirtan. He is also the first Ragi from the Darbar Sahib, Amritsar tradition to be honoured with this award. The previous recipients of this award were Dr. Jagir Singh (2002), Professor Kartar Singh (2008) and Ustad Harbhajan Singh Namdhari (2010).

Maharaj Baba Jagjit Singh, Satguru of the Namdhari Darbar, Bhai Sahib Bhai Gurcharan Singh Ragi and Professor Kartar Singh were honoured with Akademi’s highest 2011 Tagore Fellow (Ratna) award.

Bhai Balbir Singh.Photo courtesy Gurudwara Gur Gian Prakash, Jawadhi Kalan, Ludhiana.

Bhai Balbir Singh.
Photo courtesy Gurudwara Gur Gian Prakash, Jawadhi Kalan, Ludhiana.

Please read the following link for related new in the media:

http://timesofindia.indiatimes.com/city/chandigarh/For-the-first-time—SNA-Award-for-a-Hazoori-Ragi-of-Darbar-Sahib/articleshow/17780207.cms?intenttarget=no

Brief bio-data indicating the achievements made in the field:
Bhai Balbir Singh Ragi was born in his maternal village Mrigindpura near Bhikhiwind (Amritsar), Punjab on March 23, 1933 to Mata Prasan Kaur and Bhai Santa Singh. He was the eldest of the four brothers. His father Bhai Santa Singh was a famous tabla/pakhawaj exponent who taught at the Gurmat Vidyalaya in Taran Tarn (Amritsar). Bhai Balbir Singh received his initial training in Gurbani Kirtan from his father, his grandfather Bhai Kundan Singh, and great-grandfather Bhai Hira Singh. Bhai Balbir Singh began learning singing at the tender age of four. He made his debut at the Darbar Sahib, Taran Taran at the tender age of seven where he sang two compositions. Bhai Balbir Singh accompanied his father who traveled extensively to Benaras, Lucknow, Gwalior, Pune, Calcutta and Delhi for music conferences. He was able to listen to and seek blessings from some of the finest names in Indian classical music.
He was fortunate to learn dhrupad from the legendary Pandit Nathu Ram, a student of Ustad Bhai Boota Singh and Ustad Baba Shardha Singh. Bhai Balbir Singh learnt gurbani kirtan from his elder uncle Bhai Sohan Singh Ragi of Darbar Sahib (Golden Temple), Amritsar. He also has been fortunate to study from the legendary Ustad Bhai Arjan Singh Tarangar, Pandit Krishnarao Pandit (khayal), Ustad Habibuddin Khan (tabla) and Gyani Gyan Singh Almast (jal-tarang). He is also a very talented dilruba player having studied from his father. Bhai Balbir Singh also considers Bade Ghulam Ali Khan, Ustad Salamat Ali Khan and Pandit Dilip Chandra Vedi as his mentors. He has received many honours and titles namely; Shiromani Ragi awards from Indian Council for Sikh Affairs (1983), Kendriya Singh Sabha (1987), Chief Khalsa Diwan (1991), Vismaad Naad Ludhiana (1991), Sant Sujan Singh (1994), Bhai Mardana Yadgari Award (1995), President of India Hon’ Shri K R Narayan (1996), Punjab Languages Department (2001) from the Honorable Chief Minister of Punjab, Sardar Prakash Singh Badal, and Bhai Batan Singh Memorial Award (1997), Sant Sarwan Singh Gandharva Award (2001),  S.G.P.C., Amritsar (2004), Bhai Mardana Gurmat Sangeet Vidyalaya and Missionary Society, Midland, UK (2006), Bhai Dilbagh Singh Kirtaniya Samrat Award as well as Bhai Nand Lal Goya Sanman by Guru Nanak Dev University, Amritsar (2010).
Bhai Balbir Singh sang gurbani kirtan at the Darbar Sahib (Golden Temple), Amritsar for 36 years from 1955 till 1991. He remembers nearly three thousand shabads of the Gurubani and can sing in over two hundred ragas. Since, his retirement he continues to sing throughout the country and recorded nearly 30 albums. Bhai Balbir Singh is one of the last remaining links to the original gurubani kirtan parampara, of the Golden Temple, Amritsar.

Postcard 52: Endings

22 Saturday Dec 2012

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And just like that, the last shabd is sung. In rāga jaijāwanti, it is a fitting closure, time slips away, let devotion enter your heart, abandon the mind’s intellectualism, this is the way to live in the world.

Like the closure to life itself, work gets done day after day, every emotion gets felt, elation, inspiration, doubt, desperation, distracting dramas and quiet focus, but we keep walking and one day the job’s done.  Like life, there are always intentions to do it differently, to do better, to do more. At the end it looks different from the view at the beginning. But it is a meditation and in the end there is a grace that allowed it to happen and a blessing that may never actually be able to be identified or explained, but a sense that there is a meaning to this work and I am different because it happened.

Although the shabds in 31 rāgas have been sung,  the book is not yet finished. The final section is a collection of pauris. The vārs used to be sung, but as Bhai Baldeep reminds us, they are now just a part of the akhānd pāth and people have no idea how much has been lost or is on the brink of being lost. I look forward to exploring these powerful exclamations of praise. The end of one cycle becomes the beginning of another.

Ma Surjit Kaur…

17 Monday Dec 2012

Posted by Anād Foundation in ANAD Obituaries, ANAD Poetry Page

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DSC_0014 Edit

My Mother (1936-2012).
December 28, 2007.
Photo by Bhai Baldeep Singh.

My ma,
Seems as if
came in a pair of pairs

Smiles and tears
(song) waves and (dholak) throbs

Before she let me walk on my pairs
she gave me a pair of pairs
to me
a song and a letter
for me
a blessing and a prayer.

Pal Zakhmi called me from the US
—I remember how the Zakhmi men accompanied Maurizia and I as we drove to the hospital at Ludhiana, and attended along with us, the sons, to my dad after he had met with an accident in 2004—
Pal Zakhmi shared a couplet as he remembered his dad, the illustrious Bhai Saheb Bhai Dharam Singh Zakhmi, quoted once is his discourse:
Ma gayee chhaaN gayee
sir thaleyoN baah gayee
(would translate as “mother goes shade goes, so does the arm-pillow support from underneath one’s head”)

I said nay!
Ma gayee
—birkh gaeyaa
chhaan na gayee—
Ma went
yes, as a tree succumbs
to winds almighty
But, I now know and
say with certainty
her protective shade
yet remains
her embrace still
me surrounds…

Love for her flows
incarnate as tears
Oh how I cry…
Say I Gratitude
to the One
who chose
her as mine
and I as hers.
I offer at her feet
all fruit of my harvest
accumulated across
past mine present mine future mine.

DD National: A Television Tribute to Pandit Ravi Shankar

16 Sunday Dec 2012

Posted by bhaibaldeep in ANAD Obituaries

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2012-12-14 16.54.00 Edit

At the Good Evening India TV set with Shubhendra Rao.
Photo by Parminder Singh Bhamra.

2012 Ravi Shankar Shubhendra Rao

Shubhendra Rao with his guru, Pandit Ravi Shankar in 2011. California.
Photo Courtesy, Shubhendra Rao.
It s actually a single photo I Photoshop-fiddled with.

On December 13, I was to leave for Chandigarh to be with my ailing mom who was hospitalized a few days ago, when received a call from the national television asking me to anchor a special show of Good Evening India which is telecast live. My interview of Ustad Rahim Fahimuddin Khan of Dagar-vani was very well appreciated, it seems, that the person calling recalled it – well, it worked, the praise got me interested 🙂

I called my sister-in-law first, and later my mom, in Mohali to see if I would have her permission to come and be with her a couple of days later. She said sure.

It is well known in my circles that I wasn’t a fan of his – so that was a challenge. This meant I had to do research on him as I was not familiar with his life story – the names associated with him – his mentors and the ones who inspired him nor the ones whom he mentored and the ones he so inspired throughout his life span. The evening before the show, His Holiness Maharaj Baba Jagjit Singh Ji of the Namdhari Darbar, passed away as well, which was very sad – we were still engaged in getting the consent of Honorable Governor, Punjab to visit Bhaini Saheb and do the investiture ceremony – felicitating him as the Tagore Fellow of the Sangeet Natak Akademi, New Delhi. This ensured I had lot less time to research on Pandit Ravi Shankar.

I finished writing some award nominations and then Baba Jagjit Singh Ji’s obituary before I got to sit down and research on Ravi Shankar. I found his story quite intriguing and exciting. I particularly found Reginald Massey’s writeup on him very useful for it covered many a detail of Ravi Shankar’s early life. I learnt about how Andres Segovia (also my favorite) and Russian Opera singer Feodor Challipine inspired Ravi Shankar; how he actually wanted to initially study from Ustad Inayat Khan, the father of the legendary Ustad Vilayat Khan and so much more. I also read other articles and his official website, which wasn’t as informative as some of the obituaries that celebrated his life-time contribution to the world of music. After careful sifting and assorting, I ended up with about 8 pages – including one on Shubhendra Rao, whom I was to simultaneously interview in the show. Shubhendra, whose father N R Rama Rao was one of the first students of Ravi Shankar, is named after Ravi Shankar’s late first son with Vidushi Annapurna Devi. He is himself married to the cellist, Saskia Rao De-Haas and known as an able sitar virtuoso. I particularly enjoyed the time with him before the show in the green room before they whisked him away for make up. I have always escaped from facing the wrath of the makeup artists for it seems, they do not find any canvas to paint in between my mile long turban and mustache and beard.

I did get some fine plaudits during the show (via the ear phone I wore) as well as after the show but I only heaved a sigh of relief once I saw a recording once back at home. Being a live telecast I had no second chances and I did have feeling that I could have done more justice. Well, that is how it is with life – we seldom get a second chance.

My parting salute and respects to another illustrious virtuoso, Pandit Ravi Shankar (1920-2012), who has since moved on…

Satguru Jagjit Singh Ji of Namdhari Darbar Passes…

14 Friday Dec 2012

Posted by bhaibaldeep in ANAD Obituaries

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Satguru Jagjit Singh plays the dilruba II.Photo Courtesy: Namdhari Darbar, Bhaini Sahib.

Satguru Jagjit Singh plays the dilruba II.
Photo Courtesy: Namdhari Darbar, Bhaini Sahib.

Satguru Jagjit Singh.Photo Courtesy: Namdhari Darbar, Bhaini Sahib.

Satguru Jagjit Singh.
Photo Courtesy: Namdhari Darbar, Bhaini Sahib.

Satguru Jagjit Singh plays the dilruba II.Photo Courtesy: Namdhari Darbar, Bhaini Sahib.

Satguru Jagjit Singh plays the dilruba II.
Photo Courtesy: Namdhari Darbar, Bhaini Sahib.

One of the most important figures of the 20th century India, a pilot, a poet, a singer, a taus-a dilruba player, philanthropist, pioneer, spiritual master – a mentor, and so much more, Maharaj Baba Jagjit Singh Ji passed away yesterday evening. His contribution in the fields of social welfare, sports, music and agriculture (organic farmer since 1962..!) will inspire people for times to come. He was a master with a fascinating sense of humour. His politicking by orchestrating inter-caste marriages is one among his countless contributions.

His patronage to music and arts is unparalleled as well. His financial support and aide to some of the greatest 20th century names of Indian Classical music is well known – name them, Ustad-s Vilayat Khan, Piara Singh, Amjad Ali Khan, Alla Rakha, Pandit-s Krishan Maharaj, Birju Maharaj, Rajan-Sajan Misra, as well as mentoring so many talented musicians from among the Namdhari community including Ustad-s Harbhajan Singh and Gurdev Singh, Bhai-s Sukhdev Singh – Mohan Singh duo, Sukhvinder Singh Pinky, Baljit Singh Namdhari —the list is beyond my ability to count.

He was also my Chacha-Guru. He studied from the wise Ustad Harnam Singh of Village Chawinda, also a relative of his. Ustad was the youngest classmate of my great-granduncle, Bhai Sahib Bhai Jwala Singh of Thatha Tibba.They had both studied from the legendary Baba Vasawa Singh of Darbar Sahib, Amritsar, also known as Baba Rangi Ram.

The first time I met Maharaj Baba Jagjit Singh Ji was in the early 90s, 1994 I think, at the Tagore Theatre in Chandigarh. After the event, I was introduced to him. He inquired about my (musical) education. Babaji was surprised that I was also studying from Ustad Bhai Arjan Singh Tarangar and, while asking “is he still alive?”, requested his aides to take the address of the great Ustad. He expressed his wish to offer the last sewa (service or care) of Tarangar Sahib. Subsequently, he sent a Jatha to the village Thathian Mahantaan, near Village Sirhali, District Tarn Taran, Amritsar, where Tarangar Sahib’s daughter lived. Sadly, the Ustad had passed away by that time, but such were his ways in attending to the masters bearer of our cultural heritage..!

I had a particularly close association with his younger brother, Maharaj Bir Singh, who shared most of the CV with his brother for they strode shoulder tied together when they were young. Maharaj Bir Singh would often visit my house in Nizamuddin East and we would jam for hours – swapping dliruba-harmonium-pakhawaj-tanpura, singing and playing before it would be time for him to leave (he was always glad to be late is departing!).

In 2004, I sang some Khandar Vani repertoire at Bhaini Sahib. He too was an exponent of the Khandar Vani and was particularly impressed with a dhrupad in raga miyan-malhar – “barkha patal nache ya ho raag…” Ustad Pinky Namdhari on the Jori and Pandit Asit Banerjee on the rudra-vina had accompanied me on that occasion.

Early this year, the Sangeet Natak Akademi, New Delhi, honoured Satguru Jagjit Singh by inducting him as a prestigious Tagore Fellow of the Akademi for his contribution to Indian classical music and dance.

It is frightening indeed to see the scenic panorama of a valley with mountains so wonderful – so unassailable, loose them one by one. A day dawns and you find them all gone..! Just the barren, just the stricken. Hopefully, spring will arrive soon – a vale  wondrous – so bounteous will arise again… That will be a tribute to the likes of the one, Maharaj Jagjit Singh Ji, who departed after one fine innings, one fine contribution.

My salutations to him..!

For more information on His Holiness Satguru Jagjjit Singh, please visit:
http://www.beantpatshah.info/index.php?option=com_content&view=article&id=12&Itemid=9

Postcard 51: Raga Kalyan

12 Wednesday Dec 2012

Posted by in Postcards from the Journey, Reflections

≈ 1 Comment

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Nirvair's blog

Photo by Dr. Filippo Beniamino De Laura. Bentley University 2012.

Photo by Dr. Francesca Cassio. Bentley University 2012.

If we don’t sing these songs who will?
They can’t stay forever locked in a book!
Find the key, open the door, take a look
Explore, be amazed, walk around
Treasures just waiting to be found!

Working at these shabds day by day is like wearing work clothes, unpacking something here, cleaning up something there, re-arranging, putting some polish on. From the confusion of notes on a page, it’s like putting the house in order so it looks like a song. This week I have been discovering some beautiful compositions in rāga kalyān and forms of the rāga such as shudh kalyān, hameer kalyān and puriā kalyān.

Bhai Baldeep Singh’s concert in Boston was a chance to see rāga kalyān decked out in all its full regalia. The house was not only tidied up, but all the decorations were brought out, like holiday flowers, lights and tinsel, and the dwellers, each note, also dressed in their finest clothes, served a feast to the delighted guests.

The day to day maintenance has to happen, but sometimes it’s a holiday and there are ornaments, treats and gifts that we don’t get to enjoy every day. And after the holiday we go back to work.

A Weekend in Glen Cove

08 Saturday Dec 2012

Posted by bhaibaldeep in ANAD Khand, Photos

≈ 1 Comment

Teaching some, singing some…
Some Images:

Luigi Hari Tehel Singh gives a live demonstration from Delhi via Skype to about 40 students plus elders.

Stories, jokes and laughter aplenty.

Stories, jokes and laughter aplenty.

P1100276

Isher and Gyan also joined to hear their buddy give a demo on the Rabab.

Isher and Gyan also joined to hear their buddy give a demo on the Rabab.

Professor Balbinder Singh Bhogal took time out.

Professor Balbinder Singh Bhogal took time out.

P1100259

A request for Luigi Singh

A request for Luigi Singh

P1100310

Dr. Francesca Cassio ear-pricks Gyan Singh Bhogal-Hawkins

Singing Bilaval raga

Singing Bilaval raga

P1100322

Dr. Francesca Cassio joined to sing while Parminder Singh Bhamra musically beat some goatskin…

P1100327

Had to sing some.

Had to sing some but I made ’em all sing some…

P1100324

My condition that day was – you sing with me, I’ll sing with you – it took much coaxing to get the frozen out of their shells of pretense while some already lived in heavenly abodes.

P1100323

Piracy – both audio and visual – was rampant..!

Meet some, speak someThen move on for seldom something actually happens...

Meet some, speak some
Then move on for seldom something actually happens…

P1100335

I Was I Am

08 Saturday Dec 2012

Posted by bhaibaldeep in ANAD Poetry Page

≈ 1 Comment

On Thursday, December 6, 2012, Dr. Manbir Singh wrote (on my Fb wall): “Just see how much energy Guru has bestowed on Bhai Baldeep. He is always on the move, all over the globe, distributing whatever he has to offer. One can do only that much.”

Before I was an offer-er,
I was a beggar – a seeker
I begged desperately, I sought desperately
Wanderer was I
In search of and recovering
even the smallest of details
traces
assets, ‘nukte’, ‘totke’ – the narratives
that would connect me with
the way it used to be
it ought to be.

All those walks, inadvertent at times
enriched me— for one
must deal in seeds from afore
must fill a bucket before
watering newer some sapling
praying for a harvest fine
—brought me to
the last story tellers, the last masters
they were simple people
ordinary people as if
rich with thunderous laughter
wit and humour so chaste
—they were rich people.

I lack though
an ability to paint
their portraits well enough
describe them apt…
For I saw them,
I know now
how it is to be endowed with
Kirpa – Grace
How it is not..!
It is a jungle out there
a wild one at that
everyone is a flower
a flower though
rare to come by.

I wander around still
for they have gone one by one
some flicker still in grace
in search of
but the doer has forgotten it seems
to sculpt such marvels yet some.
Where will I
see some
hear some.

bbs. 2012 12 07.
Natick Town, Commonwealth of Massachusetts

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