2009 Review

London. October 18, 2009

Press Release: Anād Kāv Sanmān 2009 for Amarjit Chandan
The meeting of the jury for the Anad Kav Sanman 2009 took place on 25th October 2009. The jury members for the award, Shri M.K Raina, Professor Bhagwan Josh, Professor Renuka Singh, Dr. Madan Gopal Singh, Bhai Baldeep Singh, Shri Manglesh Dabral attended the meeting chaired by Professor Satyapal Gautam. The jury unanimously decided that this year’s Anad Kāv Sanman be conferred on Amarjit Chandan for his seminal contribution to Punjabi poetry and for bringing Punjabi poetry on the international scene.
The leading British Poet and Art Critic John Berger opined that Amarjit Chandan’s poetry transports its listeners or readers into an arena of timelessness. What he does is to fold time; time in his poems becomes like an arras or a hinged screen. The listener or reader is encircled by a multiplicity of times. His poetic practice assumes that there are more space-time dimensions than the four we habitually recognise. Each of Chandan’s poems proceeds in its own way and has its own form.  Yet in all of them there is an assembly of different space-time dimensions.
According to Christina Linardakis, a well known literary critic from Greece, the pictures of Chandan’s poetry are lacking of anything pretentious. On the contrary, they are surprisingly intimate. They portray our own moments, they capture our thoughts, they express our dreams, the contradictions of our mind. Never the less, Chandan’s descriptive power is sublimating, the detail of their reference is depriving the reader’s right of an adroit escape, it holds out his hand disarmingly, it guides him through unusual and familiar paths.
In his poetic speech, Chandan is weaving and unweaving his impressions, the perceptions, the memories of each one of us, weaving in this manner mainly the thread of our own thought and of our own life.
Amarjit Chandan has published five collections of poetry including Kavitavān, Jarhān, Beejak, Chhanna, Gurhti and Anjal, as well three books of prose in Punjabi notably  Phailsufiān, Hun–Khin (A discussion with Sohan Qadri) and Nishāni.
English versions of Amarjit Chandan’s poems have appeared in England in a collection Being Here (1995, 1999, 2005) and magazines Poetry Review, Artrage, Bazaar, Brand, Critical QuarterlyModern Poetry in Translation, Index on Censorship and Atlas (UK), Papirus and  Akköy (Turkey), Erismus, Ombrela and Odos Panos (Greece) and Lettre Internationale (Romania) and Sonata for Four Hands, Collection of Poems (Arc Publications) prefaced by John Berger due in Oct 2009.
The ANĀD Foundation is a non-profit organization dedicated to the promotion and preservation of culture, with particular focus on the preservation and perpetuation of the endangered intangible cultural heritage and traditions of South Asia. The ANĀD Foundation’s mission is to establish institutions as a means towards facilitating the recovery and enhancement of the intangible (sukham virsā) and tangible (sthūl virsā) heritage of South Asia as a priority.
Among the several aims of the Foundation include conferring ANĀD Sanmān, in the fields of poetry, music, dance, sports, science, technology, art, literature, theatre, cinema and handicrafts, etc. and for life time achievements in fields that the Trust is directly or indirectly concerned with.
The Anād Foundation is organizing the second edition of the festival Anād Kāv Tarang, an evening of poetry reading scheduled to be held on Sunday, November 22, 2009, at the India Islamic Cultural Centre, Lodhi Estate.
To honour the sweet memory of the Punjabi poetess Baljit Kaur Tulsi, The Anād Foundation started Anad Kāv Tarang Poetry festival and Anad Kāv Sanman in 2008. The award, offered to eminent poets, includes a cash prize of Rupees 2.5 lacs, a citation, a silver plate and a shawl or a turban.
The famous Punjabi poet, Surjit Patar, was the first recipient of this prestigious award.

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